Dance is a social ritual from an early age |
Dominican dance and music
are intimately tied together. Below are a few common types of music and dance
ranging from early to modern Dominican society.
Areíto Taíno:
An indigenous form of music
and dance used to transmit Taíno history orally and visually through words,
movements, and melodies. The themes of the songs varied greatly from the
amorous, to bellicose, to religious. Instruments used included maracas made of
gourds (higüeros), tamboras made from hollowed out trunks, and flutes made of
sugar cane or bones, accompanied by the percussion of shells adorning the
dancers. This art form was particularly important in the transmission of
culture and history from generation to generation, as the Taínos did not have a
written language.
Merengue
Playing the guira |
Merengue generally involves
the accordion, bass guitar, güira (a metal percussion instrument resembling a
cheese grater that is played by rubbing a wire comb against its jagged
surface), guitar, tambora (a two-sided drum laid across the lap and played with
a stick on one side and the hand on the other), and brass instruments including
the saxophone and trumpet. Merengue is danced on a two-four beat, to which
dancers’ hips tend to move in a fluid figure eight. This motion has also been
compared to that of an eggbeater, which may have given rise to the music’s name
meaning meringue, whose stiff peaks are the results of an eggbeater’s frenzied
motion.
Merengue Típico or Perico
Ripiao
Dance spans all age ranges in the DR |
Merengue típico and perico
ripiao are nearly interchangeable terms that refer to an up-tempo, more
instrumental version of merengue popularized in rural communities of the Cibao
in the late 19th century, as probably the oldest kind of merengue. Típico bands
use a guitar, guira, tambora drum, accordion, and, more recently, saxophone,
and the related dance can be similarly faster and with more movement than other
slower merengue songs.
Bachata
From the same influences
that merengue arose came bachata, which employs a lead guitar, rhythm guitar,
electric bass guitar, bongos, and güira. It has a four-count rhythm
characterized by an upward flick of the hips on the fourth beat, almost as if a
puppeteer’s string was plucking them in the air.
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